Tag: work in progress

My Week in Sewing, 6th May 2022

My Week in Sewing, 6th May 2022

I mentioned last week that I was planning to take a couple weeks off sewing, because life is super busy right now. Well. I didn’t expect to get ill and be forced to do absolutely nothing all week! At least I’ve watched Heartstopper 3 times through and read through half of Alice Oseman’s body of work. (I may have gone on one of my obsessive deep dives on the Heartstopper/Solitaire universe. It may also not be over.)

Although sewing’s been on pause, I have started to pick up the pace on my knitting over the last couple of days. But I’m definitely not going to finish this Ankestrick Birthday jumper before my knit club starts a new project at the weekend:

I don’t think I’ve ever managed to post about this jumper without also mentioning how slow it is to knit! It’s taking forever due to it being 4-ply (skinny yarn) and half-brioche stitch (2 rows required for every 1 row visible). My upcoming project, the Marzipan Pullover by Sari Nordlund, is going to be a very different experience since it’s on a thicker yarn (worsted weight). And although it does have cables to slow things down, they’re only on the yoke. The rest of the body and sleeves are on blessed rib stitch. I am excited for the feeling of knitting on turbo mode.

Ready for Marzipan madness. This will be my first time knitting with Drops yarn. I’ve heard such good things about it, and it’s so cheap I had to do a double take.

For cat photo time today, I am blessing you with a Rocket montage:

You’re welcome.

And of course, some Moon and Philip content:

Thanks for reading – see you next week!

My Week in Sewing, 22nd April 2022

My Week in Sewing, 22nd April 2022

I’m back after a week off! I skipped last Friday’s weekly sewing review as I was busy swanning around Vienna. We went to 5 art galleries plus another art exhibition in London and my brain was absolutely saturated by the time I got home. I probably could have done with more of a zone-out type of holiday, but I had a great time all the same – I just want another holiday immediately, please and thank you.

I got to wear my newly made Agatha dress to the opera and a fancy restaurant, all of which was fantastic. I love wearing me-mades in formal settings. It feels devious somehow.

I came across a huge fabric shop – but it was outside of opening hours, much to the relief of my wallet. I enjoyed this window display though. Are those enormous hams? What is that gigantic cheese shaped thing?

Since I’ve been back at home, I’ve been working on my Pattern Stash Amelia skirt (NB. project materials given to me in exchange for a social media post, but this is not that post). I was previously making a wearable toile, but as soon as I got the information I needed out of the toile, I parked it in favour of the real thing as I’m approaching the agreed deadline. I’ll return to the toile afterwards as it’s so close to done, and I really like the contrasting colours.

Wearable toile. Waistband not finished – but parked for now.

So I’m on the final project now. I’m going entirely out of my comfort zone with this fabric choice. Corduroy! Fiery orangey red! I had never worked with corduroy and this colour is not like anything in my traditional colour palette so this was brave/reckless. It may or may not have something to do with the fact that I made my fabric choice the morning after a big boozy work party. I may or may not have been thinking straight.

But. It’s working out well. I’m glad I didn’t play it safe, as I’ve already learned loads.

This colour is hard to photograph. Especially when you’re a bit lax with your lighting.

Honestly, I was daunted by the corduroy. I’ve read so many “how to sew with corduroy” blog posts over the years that I had the impression that it was a difficult fabric to work with. Well, spoiler: it’s not. I’ll write a bit more about that in a future post.

The pattern has come together quite straight forwardly. It has a few slipstitching steps that I’m going to do on the machine instead because sod slipstitching. I haven’t quite got my head round how the lining attaches to the vents yet, but it’s nearly done!

Top tip: Distract your cats before you attempt to take photos of your sewing project

My knitting project continues to take several millennia to complete. I’m on the first sleeve now, and I really thought the sleeves would fly by – but this damn half brioche stitch is so slow! I’ve ordered some double pointed needles as the magic loop method is getting on my nerves, and any possible speed improvement will be valuable at this point.

I’m keen to get it done because knit club are starting on a new project soon and I don’t want to have two knitting projects on the go at the same time.

I shall leave you with some pics of cats – despite already having shared one. I’m absolutely spoiling you.

Thanks for reading. See you next week!

My Week in Sewing, 25th March 2022

My Week in Sewing, 25th March 2022

Each Friday I write about what I’ve done in sewing land over the past week – plus any knitting or other crafts I’ve managed to slot in. Plus cats. There will always be cats.

I made my Agatha dress this week! Here’s a teaser pic ahead of the full post I’m writing about the making of this dress.

My latest make

In short, I adore it. It’s not my typical style as I tend to lean more cutesy, but I’m looking to add more elegant pieces to my wardrobe and this dress nails that brief. Can’t wait to share more about it soon.

The next thing I want to share is not actually a make from this week, but a new pattern release: the Tilly and the Buttons Erin dungarees. You might have seen this pattern all over Instagram this week. I was a tester for this pattern a few months ago, and I’d never worn dungarees as an adult before so I had no idea what to expect!

There have been some changes to the pattern since the test version, so I’m not going to write a proper review until I’ve made a pair in the final version of the pattern. But I am showing off my tester version now that I can.

I made a couple of mistakes on these that mean I’m probably not going to wear them outdoors, but they’re good for around the house. I could have done with sizing down around the hip – I hadn’t checked the hip measurement so it’s a bit baggy around the bum. I also picked a denim that I think is actually too structured for the pattern, so I’m not crazy about the way it hangs. At least I know exactly what changes I want to make next time.

My final bit of sewing news is that I got a bit carried away with my Thea wearable toile last week. I put the sleeves and the collar on and did the fancy topstitching and everything. Then, when I was trying it on to figure out where to put the buttons, I realised I’d forgotten to use it as an actual toile – and it still doesn’t fit! Argh. So, it’s just a fancy unwearable wearable toile. Here’s a photo of it for posterity.

I am going to size up for my proper Thea, as I think I read the numbers wrong on the measurements. Back to the drawing board. Or at least, the tracing table.

What’s next in sewing land for me? Not sure just now – might do an instant gratification project before I approach the Thea again. Perhaps those Erin dungarees. I also have some exciting project plans that I can’t reveal just yet!

Here’s my customary weekly knitting progress shot. I feel like I’ve been close to the end of this ball of yarn for weeks. Surely it’s going to run out soon? I’m going to decide on a whim which colour I switch to next. It will probably be dark pink.

And the cats, as promised.

Thanks for reading, see you next week!

My Week in Sewing, 18th March 2022

My Week in Sewing, 18th March 2022

Each Friday I write about what I’ve done in sewing land over the past week – plus any knitting or other crafts I’ve managed to slot in. Plus cats. There will always be cats.

I’ve been following my heart this week. By which I mean I’ve changed my mind a LOT and flip-flopped between 4(!) different sewing projects. Remember last week I was saying I only work on one project at once? Ha.

My goal at the start of the week was to finish with the fitting the bodice of my Etta dress, and then I could switch onto another project. I’ve been working on this fitting project for weeks and frankly I’m bored out of my mind with it – and frustrated too. It’s been something I’ve wanted to do for ages, as I was hoping to turn it into a bodice block for drafting my own tops and dresses. But it’s very challenging for me.

I’ve got scoliosis, which means if you look at my back from behind it looks like a reverse “S” shape, rather than a typical spine which looks like an “I”. Fortunately it causes me no physical discomfort at all, despite what I used to tell my PE teachers to get out of netball lessons. It does have a cosmetic impact though, which generally doesn’t bother me. I never wanted to be a ballerina anyway. But if I want a well-fitting bodice, I have to be a bit clever about it, because if it fits nicely on the right it doesn’t fit nicely on the left.

The pooling isn’t a posture thing – my left upper back is flatter than my right upper back, so it needs less fabric. My shoulders slope differently too, and my ribcage is rounder on the right

Turns out I’m not clever enough yet to figure this out. Perhaps a V back bodice with a neckline dart was a bad place to start. After about 6,000,000 toiles with a mirrored back bodice, I finally had one attempt at modifying the left independently of the right and immediately lost all motivation when I realised that taking a wedge out of one side was going to have implications on the angle of the neckline and the overall pattern placement of the Ankara fabric I wanted to make this dress out of. Utter disillusionment. After 4 weeks of faffing with this pattern, I’ve said sod it. I’ll try again when I have more fitting and drafting skills.

So, in comes project number 2 for a bit of ~excitement~. It’s this combo again:

Because I don’t learn, I made a toile again. This time it went really well, actually. Too well. Look how nice these old bedsheets actually are.

Liberty Thea toile #1. Needs an FBA, reduce length of bodice, and increase length of sleeve – but really not bad otherwise

There are a few modifications I needed to make after the first toile, but I liked the fabric so much I actually decided to make the second toile a wearable toile. That is, make it up like a real top. Which essentially makes it project number 3.

Here I go again.

Because the fabric is a little bit formal-shirt looking, I’ve decided to spice it up with a little contrast top stitching. I’m thinking a bit of pink and teal (classic) and maybe use some of the weird stitch patterns on my machine to create a design element out of it.

But I mentioned 4 sewing projects, didn’t I? I was falling asleep on Wednesday night when I remembered my work Christmas party is next week. Yes I know it’s March, but it was also Omicron in December, so we’re doing it now. Am I actually mental, deciding at the last minute to make myself a dress? Probably yes. Especially when it’s a dress of a style I’ve never even tried on before, so I don’t know if I’ll like it on me. But apparently I am hyper-motivated to sew this week, so I crack on.

The knitting project seems to be taking forever. I’m not sure if these weekly photos are helping or hindering. They’re encouraging me to push at it so I can see progress, but then I take the photo and I can hardly see any progress. It is feeling super squishy though!

Half brioche stitch is still slow

And to close off, as ever, some cat photos from the week:

Thanks for reading, see you next week!

My Week in Sewing, 11th March 2022

My Week in Sewing, 11th March 2022

Each Friday I write about what I’ve done in sewing land over the past week – plus any knitting or other crafts I’ve managed to slot in. Plus cats. There will always be cats.

Loads to talk about this week, even though I haven’t actually switched on my sewing machine.

The dress hack I was working on last week hasn’t really excited me, so I’ve just let it sit for now until the urge to pick it up returns. I always try to keep a “one project at a time per craft” rule (a WIP limit of one, for all y’all in software engineering out there 👀). I’m moderately strict about it because every time I’ve broken that rule, I essentially end up parking the first project for months, and then I end up feeling guilty about letting it languish, and it’s a whole mental burden, and another pile of mess in my house, and so on.

Anyway, with all that in mind, I printed and taped the PDF pattern for the Fibre Mood Agatha dress this week. ha! I couldn’t stop thinking about making it in this vibrant rayon jersey I picked up in town a couple weeks ago:

I am feeling a little unfinished-project guilt about the Etta dress so I’m not 100% sure if I’ll cut into this fabric yet. That said, I do think it’s important to work on the project that you’re drawn to. This is a hobby after all. No one’s holding me accountable other than me.

I’ve also been daydreaming about shirts and shirt dresses a lot. I love shirts! I love collars and sleeve plackets and button bands and yokes and pleats. I have this one fancy shirt from Anthropologie that I wear loads because it’s so pretty:

Anthropologie shirt (photo from last year). Yes I am aware my hair is blocking much of the shirt detail. But you get the idea.

I want more shirts like this in my life – not so much the patchwork thing, but the bright prints and slight blousiness. A bit of a statement piece but not too loud. So I’ve been mashing up patterns and fabrics from my collection in my mind:

I LOVE all of these fabrics. But the problem is they’re all so super special and delicious and beautiful that I’m terrified of cutting into them. They are the fanciest nicest most expensive fabrics in my stash and I know I need to just use them as I’ll enjoy them more as garments that I can actually wear, but I’m still intimidated about starting. Also pretty much all of them are going to require some level of pattern matching (because it would be a shame not to really show off those lovely prints) which only adds to the fear level.

I get pretty excited imagining the combinations with these shirt patterns though:

The combo I’m most likely to start with is the Liberty Thea in the Liberty Glastonbury fabric. I’m thinking the collar and necktie from view D, and the sleeves from view C. Assuming I have enough fabric.

In knitting news, my Birthday Sweater continues at a nice pace. I’m just about at the point where I have to switch from my medium sized project bag to a full size tote bag.

I have loads more of the pink, so I’m thinking of doing one sleeve in pink and the other in a different colour.

My pattern weight collection has expanded considerably this week too. I use antique brass bell weights of 1lb or under, and my rule is that I can only buy them if I see them in person. I spotted four 1lb weights in the window of a local antique shop, and simply had to snap them up!

Antique weights as pattern weights

And as ever, some cat pics from the week!

Thanks for reading, see you next week! 🙂

My Week in Sewing, 4th March 2022

My Week in Sewing, 4th March 2022

Welcome to the first of a new series! Each Friday I will be writing about what I’ve done in sewing land over the past week – plus any knitting or other crafts I’ve managed to slot in. Plus cats. There will always be cats.

I’m kicking off this new series on a bit of a tangent, with last Friday’s knit club meet-up – our first ever!

Ari, Jolynna and I have been knitting online together every Sunday for over a year now – with two of us based in Yorkshire and Jolynna based all the way in Australia. Celebrating Jolynna’s recent move to the grim north of England (welcome!), we consumed a solid number of gins and stouts and got raucous in my favourite local viking pub Valhalla. Throw away all your assumptions about knitters! Although I did have to go home early and then spent a few days in an introvert hangover, so maybe your assumptions aren’t far wrong on my part.

Speaking of knitting, I’m working on the Birthday sweater by Ankestrick. I bought waaaay too much yarn when I bought supplies for the Joanie Boatneck (as seen above) so I had enough leftover for a whole extra jumper and maybe more. I started knitting this around Christmas last year and it’s going super slowly, because it’s half brioche stitch which effectively means every 2 rows compresses down into one, and it’s 4-ply yarn which is pretty darn skinny. But it’s a mindless knit, so I can slot it into my day fairly easily.

This has taken me 7 weeks so far.

Onto sewing next. My current project is inspired by this dress I found on Pinterest, using this fabric I bought on holiday in St. Lucia last month:

I’m using the Tilly and the Buttons Etta dress pattern as a base, and hacking it with a double layer flutter sleeve. The main challenge on this project is getting the Etta pattern to fit me properly. I want it to be really well-fitted, which is something I’ve actually never achieved on a bodice! That’s because I have scoliosis, an atypical curvature of the spine that means my torso is asymmetrical in various ways. My shoulders are uneven and flat, and my ribcage is offset and twisted. The Etta dress was always going to be a tough one to fit because I’ve tried it before and I know the back neckline gapes. It’s been a journey with many toiles:

So far I’ve done such things as:
– Flat shoulder adjustment (the opposite of a rounded shoulder/dowager’s hump adjustment)
– Remove the dart & its excess from the neckline to make the shoulder even flatter, only to add a dart back in to remove even more excess from the neckline (argh)
– Drop the shoulder point
– Lower the bust point
– Lengthen the bodice

It might have been easier to draft the bodice from scratch.

It’s been a lot of trial and error so far, but for the first time I’ve viewed fitting as part of the sewing process, rather than an obstacle that I need to get around before getting to the good bit. So I am viewing this as the good bit too. And with this perspective, I am enjoying it. It’s all learning and I like learning.

So, I’m almost there on the bodice. I don’t want to overfit, and I’ve made the conscious decision (for now) not to create a separate back bodice piece for the left and right, because I think that’d drive me crazy when it comes to pattern matching. So I’m going to accept a little bit of poor fit on one side.

First attempt at the sleeve – it needs to be BIGGER. Plus I need to mess around with the two layers and figure out whether or not they need the same amount of flare.

Once the sleeve is sorted, I need to mash up the pattern’s skirt pieces with my self-drafted skirt pattern from last month, as I know that fits well so I won’t need to reinvent the wheel. Then I’ll do a full toile and soon be ready to cut into my real fabric, eee!

And finally – some cat photos from the week:

Thanks for reading, see you next week! 🙂

WIP: Gústa Knits Diamond Scarf

I’ve been knitting furiously this week! I’m a bit more than halfway through the diamond scarf from the pattern book I got in Iceland, Simple Knits with Gústa . I’m making it in Mosa Mjúkull, the wool made by the same designer. Every pattern in this book uses three balls of it, which I appreciated as I could just buy the three balls and choose a pattern out of the book later.

Here’s how it’s coming along – most of the way through the second of three stripes:

Diamond scarf knitting project in progress

The diamonds are drastically more obvious in this photo than in real life! Must be the contrast. This Mosa Mjúkull wool is reasonably fuzzy so you don’t get a lot of stitch definition. I found that a little disappointing at first, but I’m sure it will look better after blocking – hopefully more like the picture!

There are no instructions for this scarf, only the chart. I’ve never worked from a knitting chart before, so there was some intense concentration during the first few rows. I had to keep reminding myself that every even row switches up completely: you read it back to front, and the purls and knits swap over. Total mind-bender! But I’m totally converted to charts now. The visual prompt is very intuitive.

I’m not sure if I’ll make another pattern from this book. I had a go at the shawl pattern before I started this, but I found the instructions confusing. The most exciting things in the book are the mittens with the lovely Icelandic colour work, but I’m not a mittens kind of person. Who knows – perhaps I’ll whip some up as a gift one day!

Making Another Megan

Firstly, a brief announcement: my blog has a new name! Cotton on Cotton is now Cotton Noodle. I changed it because wanted something that wasn’t so close to the name of an established brand. Picking a name is hard, and it’s even harder the second time around as you have something to compare it to. The new name quietly alludes to the fact that the blog was born in Singapore. Or maybe I was just hungry.
Anyway, back on topic… Here’s my work-in-progress:

palm-megan-in-progress.jpg

After putting all that effort into fitting the Megan pattern, I’ve kicked off another version. This fabric is a Sevenberry cotton that I managed to find in the chaos of Singapore’s Mustafa Centre. I like that the palm print is quite busy, while the monochrome stops it from being loud. This is going to be another work dress so I want it to be relatively subdued.

I lowered the neckline a touch, giving it a soft V-shape. I’m also considering keeping it sleeveless. Otherwise, I’ve kept the same alterations as last time.

I’m having loads of fun making this one. I think as I’m getting better at sewing, and have to stop and refer to instructions less and less, I am getting more of that rush of joy that comes from creating something with my own hands. It’s this feeling that makes me love being a maker. I’ve been a knitter for a few years, so it’s nothing new to me – but I am enjoying how sewing brings this sense of gratification and pride more often, as garments are faster to finish. Yup, I think I really like sewing.